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The Deity-Welcoming Festivals
1media/QingAn.jpg2019-11-18T17:21:24-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f355This page explains the practices and meanings of the deity-welcoming festivals and their key event, the raojing parade.plain2020-07-14T20:15:26-04:0025.1276, 121.739181895-1945Evan N. Dawley, Becoming TaiwaneseEvan N. DawleyMazu; Kaizhang Shengwang; Chenghuang YeEvan Dawley7a40080bd5bb656cee837d5befaa3ea8e7a2ac44These three main temples--and over 15 other similar institutions, plus a host of smaller shrines and spirit-worship societies--constituted the substantial physical presence of native religion in Jilong. They were prominent features of everyday life: residents would likely have passed several each time they went out into city's streets, likely stopping in now and then to light incense or make an offering to request a god's assistance. The physical presence was also the core of a spiritual realm that overlapped with the physical terrain, a territorial cult, associated with each major deity enshrined at the temples. That realm had to be reestablished at an appointed time each year through an event known as a "deity-welcoming festival" (yingshen jie), when the deity was invited to inhabit the temple and provide its blessings to the community, through animal sacrifices and other rituals. The key portion of the festival was a parade of sorts, known as a raojing, in which the deity in question was placed within a portable shrine, carried out of the temple and into the streets, preceded and followed by a sizable retinue, to visit the borders of its territory. The term raojing can be translated as "to move around the boundaries." This practice merged the literal god's-eye perspective with the person's-eye view, combining sacred and physical geography. With each annual repetition, the community of worshipers in a particular location, or tied to a particular temple through incense-division networks, recreated the bonds between themselves, the deity, and the deity's territory. We do not know the specific limits of the territorial cults of Mazu, Kaizhang Shengwang, or Chenghuang Ye in Jilong, but the map indicates both a vague sense of each deity's territoriality and that these cults could overlap in physical space. Just as most temples contained multiple deities, so, too, could a particular piece of land fall within the terrain of more than one god.
This map shows the three main Taiwanese temples, and the overlap between temple and city scales.
This page has paths:
1media/QingAn.jpg2020-03-01T00:06:48-05:00Evan Dawley7a40080bd5bb656cee837d5befaa3ea8e7a2ac44Competing Festivals in Colonial JilongEvan Dawley5This page opens the competing festivals pathway.plain51352020-07-24T14:56:31-04:00Evan Dawley7a40080bd5bb656cee837d5befaa3ea8e7a2ac44
