Bodies and Structures 2.0: Deep-Mapping Modern East Asian HistoryMain MenuGet to Know the SiteGuided TourShow Me HowA click-by-click guide to using this siteTag MapExplore conceptsComplete Grid VisualizationDiscover connectionsGeotagged MapFind materials by geographic locationLensesCreate your own visualizationsWhat We LearnedLearn how multivocal spatial history changed how we approach our researchAboutFind information about contributors and advisory board members, citing this site, image permissions, and licensingTroubleshootingA guide to known issuesAcknowledgmentsThank youDavid Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fThis project was made possible in part by a major grant from the National Endowment for the Humanities.
1media/bs2.site.modulecollage.image2.001.jpeg2019-11-18T19:06:47-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f3514Read the seventeen spatial stories that make up Bodies and Structures 2.0visual_path2021-05-04T14:18:18-04:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f
This page has paths:
1media/bs2.site.modulecollage.image2.001.jpeg2019-11-18T15:51:01-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fMain MenuKate McDonald31Main Menuvisual_path48972021-11-15T10:02:04-05:00David R. AmbarasKate McDonaldKate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f
Contents of this path:
12020-04-30T18:05:31-04:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fBorder Controls, Migrant Networks, and People out of Place between Japan and China29David R. Ambarasimage_header48972021-10-08T16:50:32-04:0032.74837, 129.8676726.07447, 119.2964831.2463, 121.4973634.68601, 135.2143233.90306, 130.9268535.51737, 140.4185325.1276, 121.7391825.47612, 119.5644141.76879, 140.72881Shanghai41.76802, 140.70945FuzhouTōkyōNagasaki32.7500, 129.866735.6833, 139.783335.44262, 139.6463725.0383, 121.5641Nagasaki PortŌsaka BayKitakyūshūChibaTaipeiHakodateFuqingYokohama34.6667, 135.5000ŌsakaHakodate Chinese Memorial Hall24.48535, 118.08850Xiamen1921-06/1929David R. AmbarasHayashi MatajirōKate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f
1media/DF-0026.jpg2020-04-30T18:05:23-04:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fPlace Annihilation21David Fedmanimage_header48972022-02-14T14:22:20-05:0035.6833, 139.7833Tōkyō35.7167, 139.800040.21378, -112.75682Dugway Proving Ground, UT35.67268, 139.78661Sumida River08/194503/09/1945-03/10/1945David FedmanIshikawa, KōyōUnited States Army Air ForceDavid Ambaras1337d6b66b25164b57abc529e56445d238145277
12019-11-18T17:25:07-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fConstructing a Water Town: The River, the Sea, and the Communities in Wenzhou51Weiting Guoimage_header48972021-09-29T12:52:58-04:0027.8611, 118.6014Rui'an28.15372, 120.69192Yongjia31.2222, 121.4581Shanghai27.9994, 120.6668Wenzhou27.7978, 120.6992Houli27.7964, 120.6950Tingtian26.0614, 119.3061Fuzhou, Fujian1876-1938Weiting GuoKate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f
12019-11-18T15:49:55-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fTrains in Late Qing Print Culture61Nathaniel Isaacsonimage_header48972021-10-15T10:41:51-04:0031.2222, 121.4581Shanghai51.5142, -0.0931London39.3829, 118.5027Xugezhuang39.6333, 118.1833Tangshan39.3333, 117.3333Tianjin39.92284, 116.40120Beijing53.4000, -3.0000Liverpool48.8667, 2.3333Paris1884-1898MIT Visualizing Cultures. https://visualizingcultures.mit.edu/home/vis_menu.htmlReed, Christopher A. Gutenberg in Shanghai: Chinese Print Capitalism, 1876-1937. Hong Kong University Press, 2004.Wu Youru 吳友如 (Zunyange zhuren 尊聞閣主人, ed.). 申江勝景圖 Shenjiang shengjing tu. Beijing : Quan guo tu shu guan wen xian suo wei fu zhi zhong xin, 2005．Wu Youru 吳友如 (Zunwenge zhuzhu. 尊聞閣主署, ed.). Dianshizhai huabao 點石齋畫報 Dianshizhai: 1884-1898. 24 Volumes.Wu Youru 吳友如. Dianshizhai huabao 點石齋畫報 (Wenchunguan comp., 問淳館主人署) 4 volumes.Public DomainNathaniel IsaacsonDianshizhai huabaoNathaniel Isaacson9a313a8f88ba8c43c463465ac9070fc9a3b50539
12019-11-18T15:46:56-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fBorders and the Liminality of the Japanese Empire53Hiroko Matsudaimage_header48972021-10-26T18:21:43-04:0033.9218, 134.2368Tokushima24.3333, 124.1500Ishigaki22.9908, 120.2133Tainan34.6667, 135.5000Ōsaka25.1404, 121.7494Keelung Bay25.0383, 121.5641Taipei25.1283, 121.7419Keelung24.324769, 124.093849Taketomi22.6300, 120.2931Kaohsiung35.6833, 139.7833Tōkyō39.92284, 116.40120Beijing24.415794, 124.158714NaguraHiroko MatsudaKate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f
1media/route of tour of inspection cai peihuo.jpeg2020-04-30T18:05:24-04:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fCai Peihuo's Inner Territory15Kate McDonaldimage_header48972021-12-17T12:47:34-05:00Tōkyō36.10677, 140.1019135.70874, 139.7196735.6833, 139.7833Tainan22.9908, 120.2133Fukuoka33.62665, 130.42502Shanghai31.2222, 121.4581Chongqing29.43367, 106.910271928Kate McDonaldCai PeihuoKate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f
1media/bs2.site.modulecollage.image2.001.jpeg2021-04-27T17:50:02-04:00Show Me How48A click-by-click guide to using this siteplain2021-10-29T13:12:08-04:00Kate McDonaldDavid R. Ambaras
To get a feel for Bodies and Structures, we suggest that new readers explore the site in the following ways. Be sure to check out the screencasts, which provide click-by-click guides to navigation and using the site's main tools. Click on any image to enlarge it and see its details.
If you are using the site on a mobile device, please read the Special Note for Mobile Users.
You can return to this Guide at any time via the Menu Bar in the upper-left hand corner.
Use the Complete Grid Visualization to see how one or more of the pages you’ve just visited connect to other modules and pages within the site. Often, this will be via shared tag relationships. The pages are ordered alphabetically by title.
Or, pick another page or pages on the grid and explore the connections they reveal. Select a page and follow the red lines to see its tag or tags. You can also start by clicking on a tag page (a red block) to identify the various pages to which that tag relates. You might find some surprisingly generative juxtapositions.
You can click on as many pages as you want to explore different relationships or pathways through the site. (Remember, in Scalar, every object is a page.) Clicking “Visit” underneath the title will open the page in a new tab and preserve your selections on the grid.
Explore the Tag Map
Like the Complete Grid Visualization, the Tag Map allows you to see how spatial concepts take on different historical meanings in different historical contexts. In contrast to the Grid Visualization, the Tag Map allows you to start with a concept and work your way down to specific pages, rather than starting with a page and working your way up to its conceptual tags. The “tag (top) down” approach is particularly useful when you know the concept you are interested in, and want to read across places to see how it appears throughout Bodies and Structures modules.
Watch “How to Use the Tag Map” (COMING SOON)
Click to expand two or more tags to reveal the various pages they contain. Look at how the visualization shows connections or suggests combinations of tags to think with. (Note: You can also see the tags in list form on the Static Tag Index page.)
Use the Lenses tool to create your own visualizations
“Lenses” is a new tool for Bodies and Structures, which we developed in collaboration with Erik C. Loyer and Craig Dietrich at Scalar and with significant funding from the National Endowment for the Humanities. Lenses will be made available to all Scalar users.
What are Lenses? The Lenses tool plays a special role in Bodies and Structures. Lenses brings our readers—you!—into our multivocal spatial history. Use Lenses to search and visualize the content of the book in new ways. Set search parameters to develop more complex and focused approaches to the site’s materials. Generate novel visualizations and analyses by combining the site’s materials.
If you think that other readers would benefit from seeing the site through your Lens, please select “Make Public” from the dropdown menu in the Lens Content Selector. This will submit your Lens to David and Kate for review.
For more suggestions about how to use Bodies and Structures for research or in the classroom, continue on this path. For more on our theoretical framework and findings, proceed to “Reorienting Our Scholarship.”Or if you want to jump right into the site, proceed to the Main Menu.