Bodies and Structures 2.0: Deep-Mapping Modern East Asian HistoryMain MenuGet to Know the SiteGuided TourShow Me HowA click-by-click guide to using this siteModulesRead the seventeen spatial stories that make up Bodies and Structures 2.0Tag MapExplore conceptsComplete Grid VisualizationDiscover connectionsGeotagged MapFind materials by geographic locationLensesCreate your own visualizationsWhat We LearnedLearn how multivocal spatial history changed how we approach our researchAboutFind information about contributors and advisory board members, citing this site, image permissions and licensing, and site documentationTroubleshootingA guide to known issuesAcknowledgmentsThank youDavid Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fThis project was made possible in part by a major grant from the National Endowment for the Humanities.
Album space, album time
1media/The newlyweds pose outside the Atami Ocean Hotel 1 January 1941.jpg2019-11-18T17:24:05-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f353plain2020-01-06T09:43:54-05:00Emily Chapman9aa15229f49d5b5afe6489db95cf941cf40d67a5While Isao's albums are largely chronological, they also create a version of the Yajima family's life which is distilled through certain spaces. Aside from the touchable, foxed pages of the albums themselves a viewer of the family albums gets to know their life through the time they spent outside the home. Why is this?
This page has paths:
1media/The newlyweds pose outside the Atami Ocean Hotel 1 January 1941.jpgmedia/The newlyweds pose outside the Atami Ocean Hotel 1 January 1941.jpg2019-11-18T17:24:06-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fBehind the lensEmily Chapman25image_header2020-01-07T16:40:56-05:00Emily Chapman9aa15229f49d5b5afe6489db95cf941cf40d67a5