This page was created by Magdalena Kolodziej. The last update was by Kate McDonald.
References for "Studying Art in Colonial Libraries"
Allen, Joseph R. 2012. Taipei: City of Displacements. Seattle: University of Washington Press.
Arai, Hideo. 1935. “Hogarakani rappa ga naru (jō) Taiten o megurite.” Taiwan nichinichi shinpō, October 20, evening. ed., 7.
Araki, Jippo. 1935. “Taiwan zakkan.” Gendai bijutsu 2, no. 9: 58-60.
Arishima, Ikuma. 1920. Bijutsu no aki. Tokyo: Sōbunkaku.
Asahi shinbunsha ed. 1929. Nihon bijutsu nenkan Showa 4–nen.
Aso, Noriko. 2014. Public Properties: Museums in Imperial Japan. Durham: Duke University Press.
Bijutsu gahō. 1909. Vol 26, no. 12.
Bodenhamer, David J., John Corrigan, and Trevor M. Harris, eds. 2015. Deep Maps and Spatial Narratives. Bloomington: Indiana University Press.
Ching, Leo T. S. 2001. Becoming “Japanese”: Colonial Taiwan and the Politics of Identity Formation. Berkeley: University of California Press.
Culver, Annika. 2013. Glorify the Empire: Japanese Avant-Garde Propaganda in Manchukuo. Vancouver: The University of British Columbia Press.
“Dokusha kadai.” 1939. Bijutsu 6: 33.
Eubanks, Charlotte. 2019. The Art of Persistence: Akamatsu Toshiko and the Visual Cultures of Transwar Japan. Honolulu: University of Hawaiʻi Press.
Fujii, Shōzō. 2006. “The Formation of Taiwanese Identity and the Cultural Policy of Various Outside Regimes.” In Taiwan Under Japanese Colonial Rule, 1895-1945, edited by Liao Binghui and Wang Dewei, 62-77. New York: Columbia University Press.
Fujishima, Takeji. 2004. Geijutsu no esupuri. Tokyo: Chūō kōron bijutsu shuppan.
Haruyama, Meitetsu, ed. 2018. Taiwan sōtokufu toshokanchō Yamanaka Kikori: jiseki to kaisōroku. Kanazawa: Kanazawa bunpokaku.
Hekiteishujin. 1930. “Taiten no ato ni.” Taiwan nichinichi shinpō, November 11, morning ed., 6.
Holca, Irina. 2016. “Insularity and imperialism: the borders of the world in the Japanese and Taiwanese kokugo readers during the Taishō era.” Japan Forum 28, no. 1: 32-73.
Ishikawa, Kinichirō. 1927. “Taiten sankōkan.” Taiwan nichinichi shinpō, October 28, morning ed., 4.
Ishino, Takashi. 1934. Shuppin kara nyūsen made. Tokyo: Gakkō bijutsu kyōkai shuppanbu.
———. 1942. Zenkoku bijutsu tenrankai annai. Tokyo: Geijutsu gakuin.
Jordan, Brenda G., and Victoria Weston. 2003. Copying the Master and Stealing His Secrets: Talent and Training in Japanese Painting. Honolulu: University of Hawaiʻi Press.
“Jōsetsu bijutsukan no mondai.” 1933. Atorie 10, no. 1: 6-12.
Kaneko, Kazuo. 2015. “Kyūshokuminchi no zuga kyōin.” Issun 62: 48-62.
Katō, Kazuo, Kawata Ikohi, and Tōjō Fuminori. 2005. Nihon no shokuminchi toshokan: Ajia ni okeru Nihon kindai toshokanshi. Tokyo: Shakai hyōronsha.
Kawata, Ikohi. 1987. “Ajia shinryaku to Chōsen Sōtokufu Toshokan (1).” Jōkyō to shutai 140: 70-90.
Kikuchi, Yūko. 2007. “Introduction.” In Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, edited by Kikuchi Yūko, 1-17. Honolulu: University of Hawaii Press.
Kleeman, Faye Yuan. 2003. Under an Imperial Sun: Japanese Colonial Literature of Taiwan and the South. Honolulu: University of Hawaiʻi Press.
Kolodziej, Magdalena. 2018. “Empire at the Exhibition: The Imperial Art World of Modern Japan (1907-1945).” Ph.D dissertation, Duke University.
Kolodziej, Magdalena. 2020. “Gaka Ri Jinsei no bijutsu ehagaki korekushon kara miru Tokyo gadan.” In Nyoze Gamon Roku, edited by Nyoze gamon roku henshūiinkai, 159-174. 2020.
Kuo, Jason C. 2000. Art and Cultural Politics in Postwar Taiwan. Seattle: University of Washington Press.
Kwon, Nayoung Aimee. 2015. Intimate Empire: Collaboration and Colonial Modernity in Korea and Japan. Durham: Duke University Press.
Liao, Chinyuan. 1996. “Kindai nihonga no Taiwan ishoku Kinoshita Seigai (1887-1988) o tōshite.” Bigaku 184: 37-48.
———. 2002. “Taiwan kindai gadan no ‘rōkarukarā’: Taiwan Bijutsu Tenrankai no tōyōgabu o chūshin ni.” In Geijutsu/kattō no genba: kindai Nihon geijutsu shisō no kontekusuto, edited by Iwaki Kenʼichi, 190-222. Kyoto: Kōyō shobō.
Liao, Hsin-Tien. 2007. “The Beauty of the Untamed. Exploration and Travel in Colonial Taiwanese Landscape Painting.” In Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, edited by Kikuchi Yūko, 39–65. Honolulu: University of Hawai'i Press.
Lin, Ming-hsien, ed. 2008. New Visions/Meili xinshijie: Collected Papers on the Historical Significance of Taiwan’s Gouache Paintings/Taiwan jiaocaihua de lishi yu shidai yiyi xueshu yantaohui lunwenji. National Taiwan Museum of Fine Arts.
Lippit, Yukio. 2012. Painting of the Realm. The Kano House of Painters in 17th-Century Japan. Seattle: University of Washington Press.
Liu, Yu-jen. 2014. “Second Only to the Original: Rhetoric and Practice in the Photographic Reproduction of Art in Early Twentieth-Century China.” Art History 37, no. 1: 68–95.
McDonald, Kate. 2017. Placing Empire Travel and the Social Imagination in Imperial Japan. Oakland, California: University of California Press.
Morris-Suzuki, Tessa. 1998. Re-Inventing Japan: Time, Space, Nation. Japan in the Modern World. Armonk, N.Y.: M.E. Sharpe.
Nagayama, Yoshitaka. 1933. “Taiwan zakkan.” Taiwan kyōiku 11: 119-126.
Nakagawa, Kigen, and Yokogawa Kiichirō. 1933. Bijutsuka o kokorozasu hito no tame ni. Gendai shokugyō gaido bukku. Tokyo: Genninsha.
National Museum of History, ed. 2008. “The Age of Elegance/Shidai de youya: A Centennial Exhibition of Kuo Hsueh-Hu/Guo Xuehu baisui huiguzhan zhuanji.”
Nihon bijutsu nenkan Shōwa 3-nen. 1928. Tokyo: Asahi Shinbunsha.
Oguma, Eiji. 2002. A Genealogy of 'Japanese' Self-Images. Translated by David Askew. Melbourne: Trans Pacific Press.
Okamura, Keiji. 2014. Senzenki 'Gaichi' de katsuyaku shita toshokanin ni kansuru sōgōteki kenkyū. Kenkyū seika hōkokusho.
Ōta, Saburō. 1930. Aburae no egakikata. Tokyo: Sūbundō.
Ōyama, Hiromitsu, and Kimura Shigeo. 1942. “Bunten nihonga hihyō tayori.” Kokuga 2, no. 11: 31–41.
Satō, Dōshin. 2004 Nihon bijutsu tanjō: kindai Nihon no kotoba to senryaku. Tokyo: Kōdansha.
———. 2011. Modern Japanese Art and the Meiji State: The Politics of Beauty. Los Angeles: Getty Research Institute.
Shiotsuki, Tōho. 2001 [1934]. “Dai 8-kai Taiten no mae ni.” Taiwan kyōiku, 11. Reprinted in Feng Jing Xin Jing: Taiwan Jin Dai Mei Shu Wen Xian Dao Du, edited by Yen Chuanying and Tsuruta Takeyoshi, Vol. 2, 278-283. Taipei: Xiong shi tu shu gu fen you xian gong si.
Su, Stephanie. 2021. “Exhibition as an Art Historical Space: Narratives in the 1933 Chinese Art Exhibition in Paris.” The Art Bulletin 103.
Suh, Serk-Bae. 2013. Treacherous Translation: Culture, Nationalism, and Colonialism in Korea and Japan from the 1910s to the 1960s. Berkeley: University of California Press.
“Taihoku tsūshin.” 1934. Taiwan kyōiku 3: 117–129.
Taipei Fine Arts Museum, ed. 1989. “The Art of Kuo Hsueh-Hu: Kuo Hsueh-Hu Seventy Years of Painting.”
Taiwan Sōtokufu Bunkyōkyoku Shakaika, ed. 1934. Taiwan shakai kyōiku gayō. Taipei: Seibunsha.
Taiwan Sōtokufu Toshokan. 1929. Taiwan Sōtokufu Toshokan ichiran. Taipei: Taiwan Sōtokufu Toshokan.
Taiwan Sōtokufu Toshokan. Taiwan Sōtokufu Toshokan gairan Shōwa 13nendo. Taiwan Sōtokufu Toshokan, 1939.
Taiwan Sōtokufu Toshokan. Taiwan Sōtokufu Toshokan wakan tosho bunrui mokuroku Taishō 6-nenmatsu genzai. Taiwan Sōtokufu Toshokan, 1918.
Tanaka, Stefan. Japan's Orient: Rendering Pasts into History. Berkeley: University of California Press, 1993.
Tateishi, Tetsuomi. “Taiten o miru (2).” Ōsaka asahi shinbun Taiwanban, October 29 1935, 5.
Tseng, Alice Yu-Ting. The Imperial Museums of Meiji Japan: Architecture and the Art of the Nation. Seattle: University of Washington Press, 2008.
Ujigo, Tsuyoshi. “Kindai Kankoku toshokanshi no kenkyū: shokuminchiki o chūshin ni.” Sankōshoshi kenkyū, no. 34 (1988): 1–27.
Wong, Aida Yuen. Parting the Mists: Discovering Japan and the Rise of National-Style Painting in Modern China. Asian Interactions and Comparisons. Honolulu: University of Hawai’i Press, 2006.
Wong, Aida Yuen. “Art of Non-Resistance: Elitism, Fascist Aesthetics, and Taiwanese Painter Lin Chih-Chu.” In Art and War in Japan and Its Empire, 1931-1960, edited by Ikeda Asato, Aya Louisa McDonald and Ming Tiampo, 305-23. Leiden: Brill, 2013.
Yamamoto, Kanae. Aburae no egakikata. Tokyo: Arusu, 1919.
Yen, Chuanying. “The Art Movement in the 1930s in Taiwan.” In Modernity in Asian Art, edited by John Clark, 45-59. Broadway, NSW, Australia: Wild Peony, 1993.
Yen, Chuanying. “Colonial Taiwan and the Construction of Landscape Painting.” In Taiwan Under Japanese Colonial Rule, 1895-1945: History, Culture, Memory, edited by Liao Ping-Hui and David Der-Wei Wang, 248-261. New York: Columbia University Press, 2006.
Yen, Chuanying. “The Demise of Oriental-Style Painting in Taiwan.” In Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, edited by Kikuchi Yūko, 83-108. Honolulu: University of Hawaii Press, 2007.
Yen, Chuanying. “‘Nihonga’ no shi: Nihon tōsei jidai ni okeru bijutsu hatten no konnan.” Bijutsu kenkyū, no. 398 (2009): 293-313.
Yen, Chuanying. “Nankoku bijutsu no dendō kenzō.” In ‘Teikoku’ to Bijutsu: 1930nendai Nihon no taigai bijutsu senryaku, edited by Omuka Toshiharu, 342-78. Tokyo: Kokusho Kankōkai, 2010.
Yoshida, Chizuko. Kindai Higashi Ajia bijutsu ryūgakusei no kenkyū: Tōkyō Bijutsu Gakkō ryūgakusei shiryō. Tokyo: Yumani shobō, 2009.
Yoshida, Hanryō. Teikoku kaiga hōten: ichimei Bunten shuppin hiketsu. Tokyo: Teikoku kaiga kyōki, 1918.
Zhang, Yanxian. “Zhengli Taiwan ziliao fengxian yisheng de Liu Jingou xiansheng.” Taiwan fengwu 37, no. 1 (1987): 115-118.
Recommended Further Readings
Aso, Noriko. 2014. Public Properties: Museums in Imperial Japan. Asia-Pacific. Durham: Duke University Press.
Brandt, Kim. 2007. Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan. Asia-Pacific. Durham: Duke University Press.
Clark, John, ed. 1993. Modernity in Asian Art. Broadway, NSW, Australia: Wild Peony.
Culver, Annika A. 2013. Glorify the Empire: Japanese Avant-Garde Propaganda in Manchukuo. Vancouver: UBC Press.
Eubanks, Charlotte D. 2020. The Art of Persistence: Akamatsu Toshiko and the Visual Cultures of Transwar Japan. Honolulu: University of Hawaiʻi Press.
Ikeda, Asato. 2018. The Politics of Painting: Fascism and Japanese Art During the Second World War. Honolulu: University of Hawaiʻi Press.
Ikeda, Asato, Aya Louisa McDonald, and Ming Tiampo, eds. 2013. Art and War in Japan and Its Empire, 1931-1960. Leiden: Brill.
Kaneko, Maki. 2015. Mirroring the Japanese Empire: The Male Figure in Yōga Painting, 1930-1950. Leiden: Brill.
Kida, Emiko and Brian Bergstrom. 2006. “Japanese-Korean Exchange within the Proletarian Visual Arts Movement.” positions 14, no. 2: 495-525.
Kikuchi, Yūko, ed. 2007. Refracted Modernity: Visual Culture and Identity in Colonial Taiwan. Honolulu: University of Hawaiʻi Press.
Kim, Youngna. 2005. 20th Century Korean Art. London: Laurence King.
Kuo, Jason C. 2000. Art and Cultural Politics in Postwar Taiwan. Seattle: University of Washington Press.
Lin, Ming-hsien, ed. 2008. New Visions/Meili xinshijie: Collected Papers on the Historical Significance of Taiwan’s Gouache Paintings/Taiwan jiaocaihua de lishi yu shidai yiyi xueshu yantaohui lunwenji. Taipei: National Taiwan Museum of Fine Arts.
Lin, Sandy. 2014. “Chen Jin: Bodies Blurring Boundaries.” Modern Art Asia 17.
Mayo, Marlene J., J. Thomas Rimer, and H. Eleanor Kerkham, eds. 2001. War, Occupation, and Creativity: Japan and East Asia, 1920-1960. Honolulu: University of Hawai'i Press.
Tomizawa-Kay, Eriko and Toshio Watanabe, eds. 2019. East Asian Art History in a Transnational Context. New York: Routledge.
Wu, Chinghsin. 2011. “Icons, Power, and Artistic Practice in Colonial Taiwan: Tsai Yun-Yen’s Buddha Hall and Boys’ Day.” Southeast Review of Asian Studies 33: 69-86.
Yen, Chuanying 2006. “Colonial Taiwan and the Construction of Landscape Painting.” In Taiwan Under Japanese Colonial Rule, 1895-1945, edited by Liao Ping-hui and David Der-wei Wang, 248-261. New York, Columbia University Press.
———. 2011. “Self-Portraits, Family Portraits, and the Issue of Identity: An Analysis of Three Taiwanese Painters of the Japanese Colonial Period.” Southeast Review of Asian Studies 33: 34-68.
Young, Louise. 1998. Japan's Total Empire: Manchuria and the Culture of Wartime Imperialism. Berkeley, Calif.: University of California Press.