Bodies and Structures 2.0: Deep-Mapping Modern East Asian HistoryMain MenuGet to Know the SiteGuided TourShow Me HowA click-by-click guide to using this siteModulesRead the seventeen spatial stories that make up Bodies and Structures 2.0Tag MapExplore conceptsComplete Grid VisualizationDiscover connectionsGeotagged MapFind materials by geographic locationLensesCreate your own visualizationsWhat We LearnedLearn how multivocal spatial history changed how we approach our researchAboutFind information about contributors and advisory board members, citing this site, image permissions and licensing, and site documentationTroubleshootingA guide to known issuesAcknowledgmentsThank youDavid Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fThis project was made possible in part by a major grant from the National Endowment for the Humanities.
Ishigaki Shincho at Takao
12019-11-18T15:46:57-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f351Photo courtesy of Nansei Photo Studioplain2019-11-18T15:46:57-05:002019082613281220190826132812Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f
Ishigaki Shincho returned to Kauhsiung with the intention of opening his own photo studio. However, as soon as he started the new business, he was called to join the military in 1944. He managed to survive the war and re-opened his studio in 1946. But, since the sovereignty of Taiwan was already passed on to the government of Republic of China, Japanese and Okinawan colonial settlers left Taiwan for repatriation. Ishigaki also closed his business in Kauhsiung, and left for Ishigaki Island in 1946.