Bodies and Structures 2.0: Deep-Mapping Modern East Asian HistoryMain MenuGet to Know the SiteGuided TourShow Me HowA click-by-click guide to using this siteModulesRead the seventeen spatial stories that make up Bodies and Structures 2.0Tag MapExplore conceptsComplete Grid VisualizationDiscover connectionsGeotagged MapFind materials by geographic locationLensesCreate your own visualizationsWhat We LearnedLearn how multivocal spatial history changed how we approach our researchAboutFind information about contributors and advisory board members, citing this site, image permissions and licensing, and site documentationTroubleshootingA guide to known issuesAcknowledgmentsThank youDavid Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fThis project was made possible in part by a major grant from the National Endowment for the Humanities.
Concluding remark
12019-12-27T01:46:37-05:00Hiroko Matsudadcd719582014fb85f4ce73292fca95ce698fbfa9351plain2019-12-27T01:46:37-05:00Hiroko Matsudadcd719582014fb85f4ce73292fca95ce698fbfa9Yamane Keiko (1924-)For the longest time, "metropole" and "colony" were the slid historical categories in colonial studies, and the metropole was deemed to be unquestionably superior. Yet contemporary scholars now seek to present a more dynamic picture of modern empires by exploring the metropole and colonies within a single analytic framework. Ishigaki Shincho's trajectory indeed questions how the conventional dichotomy of the colonizer/colonized of the Japanese empire. Born in the humble farmers' family, he still made career by moving across Taipei, Kaohsiung, and Tokyo, regardless of the metropole/colony divide.