Bodies and Structures 2.0: Deep-Mapping Modern East Asian HistoryMain MenuGet to Know the SiteGuided TourShow Me HowA click-by-click guide to using this siteModulesRead the seventeen spatial stories that make up Bodies and Structures 2.0Tag MapExplore conceptsComplete Grid VisualizationDiscover connectionsGeotagged MapFind materials by geographic locationLensesCreate your own visualizationsWhat We LearnedLearn how multivocal spatial history changed how we approach our researchAboutFind information about contributors and advisory board members, citing this site, image permissions and licensing, and site documentationTroubleshootingA guide to known issuesAcknowledgmentsThank youDavid Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fThis project was made possible in part by a major grant from the National Endowment for the Humanities.
Conclusion: Japan's Imperial Art World
1media/guo xuehu 1928 scenery near yuanshan.jpg2019-11-18T17:20:13-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f351plain2019-11-18T17:20:13-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fStudying Art in Colonial LibrariesMagdalena KolodziejWhat was the place of Taiwan on the artistic map of the empire? The answer to this question illuminates the contingency of the artistic practice on the shifting understanding of place under Japan's colonialism.
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1media/guo xuehu 1928 scenery near yuanshan.jpgmedia/guo xuehu 1928 scenery near yuanshan.jpg2019-11-18T17:20:14-05:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fStudying Art in Colonial LibrariesKate McDonald3Magdalena Kolodziejimage_header34342019-11-18T19:16:40-05:0025.03296, 121.565411927-1943Magdalena KolodziejKate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f