Competing Festivals: The Jilong Shrine Festival
They turned the one-day ceremony into a three-day event, the first for honoring the spirits, the second for consecrating the new buildings, and the third for a large public festival. The events of the third day included the parading of portable shrines, a martial arts competition, performances by geisha, nō and kyōgen plays, ikebana, musical performances, fireworks, and numerous other activities. Their geographic distribution challenged the established sacred geographies of colonial Jilong, because they extended shrine activities out of the core of Japanese settlement and across some of the more mixed residential districts east and west of the harbor. However, the Jilong Shrine Festival did not move into the core of old Jilong, into the heart of the territorial cults encompassed by the Joint Deity-Welcoming Festival....However, in the city, a Celebration Affairs Committee and an Executive Committee were entrusted with all matters, and the festival's cost of 5,000 yen was to be raised by soliciting general donations. Banks and companies were allotted 2,500 yen, and the neighborhood committees were allotted the other 2,500 yen, and they immediately set to work. The citizens exerted special energy to welcome these activities, to build the radiance of the first year of the grand festival and to wipe away the cares that had existed among the city residents over many years...